“Within a few weeks of buying the building located a block from Mariachi Plaza in Boyle Heights at the end of 2016, Frank “B.J.” Turner had raised rents on a handful of long-term tenants by between 60 and 80 percent. He had also created a website for the building, re-christened “Mariachi Crossing,” targeting those that wanted a taste of a “vibrant” neighborhood and a Metro station within walking distance that could take them to experience the excitement found Downtown. [The website has since been removed. The Craigslist ad with many of the same images and text is here.]
At the time, the new owners justified the hikes – made possible by the fact that building had been built in 1983 and therefore was not subject to rent control protections – by claiming to be making significant upgrades to the communal elements of the property (laundry facilities, lighting, roofing, etc.). Tenants pushed back, saying that the owners had first told them they were going to upgrade the units to make them more luxurious, but then made only a few cosmetic improvements around the edges of the building, leaving tenants’ long-standing issues and repairs unresolved.
To the tenants of 1815 E. 2nd Street, the targeting of only seven of twenty-five units for increases meant Turner was testing out both his ability to push people out and the strength of tenant relationships.
To the larger Boyle Heights community, the targeting of mariachis for rent increases as high as $800 while using the mariachi name and proximity to the plaza as a rebranding tool was part of something far bigger and far more insidious – a privately-driven “urban renewal” effort aimed at erasing the Latinx community from the landscape altogether.
That these processes of erasure unfold over time and are difficult to quantify are two of the many reasons that they tend not to be the kind of thing we talk about when we talk about rent control.
Instead, urbanists, planners, yimbys, economists, real estate investors, and developers have preferred to debate the finer points of supply and demand, the virtues of vouchers, and the disincentives more regulation can cause for developers while reiterating that rent control will not fix the housing crisis – a claim few, if any, rent control supporters have actually made.
I will not enter that fray here. [For a much better primer than I could have ever offered anyways, please see the op-ed in the L.A. Times by Michael Hiltzik on why repealing Costa Hawkins, while in no way a panacea, returns a valuable planning tool to local municipalities while offering severely rent-burdened tenants the promise of some stability and a modicum of power in the nearer, rather than far, future.]
Instead, as people consider repealing Costa Hawkins by voting in favor of Proposition 10 at the polls today, I’d rather they take a moment to think about what rent stabilization can mean for the stability of a community and why it matters.
The legacy of redlining in L.A. is that few in communities like Boyle Heights have much in the way of assets or savings to fall back on. And where so many work in the informal sector and are reliant on unstable incomes, even after doubling up in their apartments, taking on extra work, or sending their kids to school with candy or tortas to sell, families can regularly come up short at the end of the month. Having a support network of neighbors, friends, coworkers, or family within close proximity who can help with rent, food, bills, child care, medical expenses, a ride, or credit at a shop is key to survival.
When neighbors and local businesses begin to disappear, that ecosystem is disrupted – the support structure begins to crumble. With fewer places to turn for mutual assistance and costs rising all around them, remaining residents become even more vulnerable to displacement.
The mariachis’ plight offers perhaps one of the clearest windows into the damage this process had the potential to do.
Mariachis had played an important role in uplifting the Boyle Heights community over the decades the city had denied it basic dignity. Having informally claimed the intersection at 1st and Boyle as a gathering space as early as the 1930s, they had essentially watched the community grow up around them. When the corner became a hub for less reputable endeavors in the 1980s and the city turned a blind eye to the community’s desperation, the presence of the mariachis helped to keep the space accessible to residents and kept local businesses like the donut shop they used as their de factoheadquarters afloat. So much so that the transformation of what had been a traffic triangle into a bonafide plaza in 1994 – imperfect a process as it may have been – was predicated on the idea that elevating the mariachis would also elevate and heal the community.
In the intervening years, the options open to mariachis hoping to remain near the plaza have narrowed. Rents around the plaza have risen while property owners appear willing to resort to ever more creative ways to intimidate tenants into leaving voluntarily. Even the subsidized units at the renovated Boyle Hotel – once a flop-house-type home for mariachis – ended up being out of reach for some, forcing them to seek alternative solutions. Another flop-house-type arrangement nearby – where a number of men shared a room in order to be within easy reach of the plaza – had allowed some of the single men to stay in the area and keep working as mariachis. But concerns that they might also have to leave (due to code violations) left many fearful that their next move was out of the community altogether.
The longtime residents at 1815 E. 2nd Street were in the same boat. Unable to afford an $800-a-month increase, mariachi Luis Valdivia (pictured at top and in the video below, performing after a protest) wondered how he would survive. If he moved away, he would be unable to get to the plaza on short notice for a gig. Not only would he lose his own livelihood, he would jeopardize the ability of his fellow bandmates to maintain theirs.
That is devastating enough on its own.
But it is compounded by the fact that the mariachi tradition is often passed down within families. Many also give lessons to area music students. They patronize (and sustain) unique community-serving shops and region-specific restaurants with a long history in the area. And they provide a soundtrack for some of the most important moments of area residents’ lives.
In other words, the sustainability of the larger cultural community is tied to its economic viability, which is tied to its social network, all of which is inextricably tied to presence and place.”